Rockland Building 2018-present

(2018-present) carpentry building apprenticeship


Part of each year is spent working towards further realisation of artist residency space in the forest nearby the Olympic mountain range. I have for some time wanted to learn the skills needed to build my own home. Being an artist allows me to shape and align my life and schedule in the directions that I find relevant. Helping Shawn Landis and Jodi Rockwell realise their ideas and dreams has been a beautiful escape from city life and invaluable learning experience. 


Stage by stage we lay out plans and build new additions to the land, ranging from renovations to existing structures, cement forms, forest baths, cedar hot tub, woodshop, ceramics studio, live work space, and soon to start a treehouse. I cherish each new project in this lush green forest. With each new step I am reminded of the feelings I had when visiting and performing at Jacob’s Pillow in Massachusetts in 2007


Cardinal 2017

(2017) Painting. Exhibited at Seattle Art Fair, Out of Sight, Seattle WA. 


This painting is a further step in the direction of building my own painting surfaces. For many years I have been building the frames my paintings go on to, and for some time I have wanted to create an asymmetrical frame to better follow the shape of my works. This is the first true venture into this new idea. This involved more than twenty individual parts, both glued and nailed together. Once the frame and surface had been built, sanded, and primed, I then placed the already created vinyl sticker onto the surface of the wood frame. The vinyl sticker had been gradually developed over the previous three years, incorporating both adhesive vinyl, acrylic paint and block print. This is probably not the most efficient way to create this work and in the future I plan to build the frame first then make the painting/mixed media work on the surface. It was very stressful affixing the premade vinyl sticker to the already built frame, there was absolutely no margin for error. With each work, new lessons are learned. I absolutely love how this piece turned out in the end. This work has since been sold.


Tiny Home 2015

(2015) Center on Contemporary Art Un[contained] Residency, Seattle


I had recently been in the Bay Area performing and was struck by the tiny movable homes taking up no more than a parking space, I saw lining the streets in West Oakland. Upon learning I had been awarded this residency, I felt compelled to explore these movable tiny houses for myself, as I had not seen anything of this sort in the Northwest despite rampant homlessness. 
Using salvaged wood in tandem with other recycled/donated resources, I created a portable living space. By painting the exterior of the structure I aimed to make this home command the attention of those who would rather choose to ignore the state of homelessness and displacement in our area. The home acts as a billboard, stating in the most matter of fact way the basic necessity of having a roof over one’s head. Voicing through words the needed legislative action of RENT CONTROL to help create sensible affordable homes for those in need.
I can’t help but notice the increase in the past ten years of people living on the streets in Seattle, especially in the last three years. Can this temporary home be a sense of pride for the inhabitant? Could this action open the eyes of developers?


Addressing An Issue

Bald Man Show 2008

(2008) solo art show, the Anne Bonny, Seattle


For this, my first solo visual art exhibition, I created fifty new paintings on built and stretched wooden frames. I experimented with a variety of surfaces for painting on, from silk, canvas, wood, vinyl and foam core. Each new work was of the Bald Man, a character I have been developing since 2001. The Bald Man is a tool for experimentation through visual art, murals, posters, printing, and ceramics and has become known amongst local graffiti works in the city. A tool to learn through, I have  committed to reproducing this image over the rest of my life.