Artwork

SEE TALK (2016)

(2016) Commissioned art mural, On The Boards, Seattle WA. 

 

Commissioned mural placed in the lobby of OtB for the duration of their 2016 season. Painted on a repurposed vinyl banner using rollers, brush and tape masking. Abstract characters, lines and geometry made up the design. Acrylic paint, dimensions 20′ by 9′.

 

HUMANITY (2016)

(2016) Spontaneous public installation, Seattle.

 

Three dimensional cardboard letters, painted with acrylic paint. Humanity is shown left out in the rain to be reclaimed by nature or possibly a timely passerby.

 

Making a new friend (2016)

James Arzente Photographer

 

I had a photo shoot with James Arzente the other day, conversation and play, a new door opens and the past floods in.

 

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Photo James Arzenet

Ibn Batouta Bald (2016)

(2016) Commissioned public art mural, Neighborhood of Ibn Batouta, Tangier Morocco.

 

Mural commissioned as a gift to the neighborhood community of Ibn Batouta. Painted with amazingly brilliant acrylic paint, I wanted to bring this paint back home. One coat light or dark would cover any other color. While painting here we experienced such completely generous, warm and welcoming people. Memories and friends were made, we can’t say thank you enough and hope to get back there again soon.

 

MBar (2016)

(2016) Commissioned art mural, Urban Artworks, Seattle WA.

 

One hundred sixty foot long mural painted in the hallway and interior leading to the rooftop restaurant. Working with the owners, a design was settled on that would help lead restaurant goers to their destination. Additionally, Mbar branded logo was painted using the same design motief.

 

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Commission work (2016)

(2016) visual art painting.

 

Commissioned by Microsoft Evoke Lab’s as part of a six piece series created by members of the New Mystics.
Acrylic, spray paint, and adhesive vinyl on wood. Dimensions 4’x4′.

 

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The Summit (2016)

(2016) Mural

 

Painted in an apartment building that was for low income housing, this apartment building has since been demolished, replaced by fancy condominiums. As a sort of ceremony for the building before its demolition, myself and a large group of artists painted the inside apartments and halls, before having a weekend long show/celebration of the space. This mural was approximately 12’ x 8’, painted with acrylic and enamel paints, also incorporating acrylic block print.

 

Becia Orix (2016)

(2016) Ceramic Sculpture.

 

This piece has been quite a long time in the making. The investigation began with building a cardboard armature to provide a foundation for slabs of clay to be placed on. Upon drying I realized that even though the cardboard had been essentially tenderized, it was still to rigid for the clay in its drying process, and thus was making the clay crack. After four attempts of trying to tweak different things in the hopes of making the drying process not result in cracks of various sizes. I decided to pull the armature out after a day of drying, when I did this I was able to get the piece to dry with out cracking. Then began an unintentionally long glazing process, time and life took over and only a little bit of color could be added each week. Hand Built, low fire, underglaze with over glaze and wax resist. Approximate dimensions 14″x13″x6″.

 

Becia Orix

projects: Kyle Loven

Kyle Loven

 

RETRACES (2015-16)

Performer and choreographic collaborator

 

Photos by Tim Summers

Performances:
12th Ave Arts, Seattle WA (premier)
PushOFF, The Culch, Vancouver BC