PROJECTS: DAE

DEGENERATE ART ENSEMBLE  

ANIMA MUNDI (2026)

 

I was asked to join DAE for this new work as a performer of the Marebito spirit. I have for years been witness to DAE’s creative contributions in the world of performance and sound. It was a joy to join this wild world and follow its story as we carved and shaped this new work.

 

Photo Ian Lucero

Degenerate Art Ensemble presents Anima Mundi, a visually stunning avant-garde dance and live music work inspired by the realm of shadows and Japanese ghost stories, Anima Mundi explores the profound interconnection of all beings on our fragile planet. This poetic vision blends visceral embodied movement with innovative video projection and transforming sculptures that morph with the dancer’s body. The experience is heightened by live music featuring drums, hypnotic electronics, and a battery of acoustic sounds that fill the theater with vibrational energy. The work challenges human-centric perceptions, proposing that by honoring our animal senses and rebalancing feminine and masculine forces, we can foster more interdependent relationships with the natural world, elevating the often-devalued qualities of healing, mending, and nurturing. Degenerate Art Ensemble’s performance is surreal, visually heightened, rebellious, and defiant and has earned a faithful following of art obsessives, activists, and rebellious souls with their performances internationally.

 

Photo Ian Lucero

FEBRUARY 14 2026 @ THE MOORE THEATRE.

WHO’S OFFENDED (2025)

WHO’S OFFENDED SOLO ART SHOW (2025)

 

Base Camp 2  Seattle  July 11-Aug 22

 

 

New works. Mixed media and performance. Huge works on paper, vinyl collage, ceramic sculpture, film, cardboard sculpture. 

 

 

 

Artist statement on exhibition:

As a young child (probably 6 or 7) I remember thinking to myself that the world we are born into was damn shitty. I was surprised that the “grownups” would seemingly do so little to ensure each and everyone had what they needed to live and be happy. Growing up poor, these inequalities were all the more obvious as they would be confronted by myself or family on a daily basis. This exhibition is framed in the voice of the underserved, overlooked and the forgotten. This collection of statements stand as truths–factual alongside emotional responses–they may not be ones you want to hear or think about, but they are at the root of rot in this country and across our planet. 

 

 

Link to virtual tour of the exhibition.

 

 

The content of this show centers on police violence, bigotry, lack of concern for human life, greed, corruption, incarceration, and the glorification of war, amongst feelings of distress, frustration, and injustice. Who’s Offended might not be suitable for sensitive audiences (language) parental discretion is advised. 

 

 

The artwork was generated with the aim of recycling as much old materials as possible. Scrap adhesive vinyl, latex paint, cardboard, all repurposed into the works displayed. The space to create this work over the course of two years was donated: thank you to Punk Rock Flea Market, Nii Modo, The Bemis Building, Cannonball Arts, The Muckleshoot Tribe, Degenerate Art Ensemble, and of course Base Camp 2 for providing the space for the exhibition.

The works on paper come from years of creating messages for the street and public consumption. It is the artist’s intention to invite anyone who has access to offer up locations for these paper works to be placed out in the streets. Got a spot you want to see this work, it could be a wall, or a building, or inside a warehouse, or on a bus, or in your living room. Reach out and start a conversation: ezramdickinson@gmail.com

 

 

For the opening of the show an evening of entertainment was curated by Ezra featuring spoken word by Nahaan, performance duet by Donald Byrd and Ezra Dickinson, the band Seize the Means played a set, and DJ WIZDUM was the sandwich of the evening providing revolutionary sounds for the start, inbetweens and to close down the night. To end the exhibition DJ WIZDUM came through again to provide an evening of sounds to dance the show to a close.

   

 

Throughout the show every Friday at 3pm, there was a live and open to the public reading conducted by Ezra, of the typewriter submissions. The typewriter submissions were an interactive element of WHO’S OFFENDED, show attendees were prompted to interact though the portal of a manual typewriter. Prompts for submission were provided in the form of three categories, Requests for Apology, Sharing of a Confession, or Open Share. This anonymous interactive offering was aimed to provide the gallery goer a chance to express anything that might arise while viewing the show, or share something that might have been weighing on the mind of the attendee related or unrelated. This element offered a path to both feel in a tactile sense via the typewriter the feeling of capturing one’s thoughts and further to give the participant a way to add to the textual fabric of the exhibition. All readings were filmed and will be compiled into a short film for viewing, link coming soon.

 

 

 

SUPPORT MORE WORK LIKE THIS!

 



Atomic Bong (2024)

Correspondents Music video (2024)

 

It’s easy when working with friends. While it might have taken us a bit longer to get this going then we expected, Doug Arney and I created another wild music video for the Correspondents. I truly appreciate collaboration with friends, there is an earned trust that we draw from knowing that having fun is the biggest priority. Ideas grow and transform freely, our expectations are happily met and creativity takes us on a journey. Please take a look at our new creation and ask yourself, what is the story being told here?

 

 

 

Past Correspondents videos:

Drinking with Destructo

Manifest Destinys Child



Sweet Rotten Sweet (2019)

(2019) Illustrations, set design, publication

 

While working with Peggy Piachenza on her last performance/installation I created a hand drawn design that was featured in the book Peggy created to document the show. In addition to dancing, I also designed the set, fabricated and installed it as directed by Peggy. This involved building hanging video screen boxes, wall mounted video boxes, wall mounted microphones, printing and prepping and installing two wall to wall floor to ceiling posters one 11’x14’ the other 27’x14’, all the while performing in the month run of the performance component of the shows installation. 

 

projects: Kyle Loven

Kyle Loven

 

RETRACES (2015-16)

Performer and choreographic collaborator

 

Photos by Tim Summers

Performances:
12th Ave Arts, Seattle WA (premier)
PushOFF, The Culch, Vancouver BC

projects: Peggy Piacenza

Peggy Piacenza

I have had the pleasure of performing for and collabating with Peggy Picenza since 2016.

 

Sweet, Rotten, Sweet (2019)

Dancer, set designer and movement collaborator

 

Photo Joseph Lambert
Performances:
Bonfire Gallery, Seattle WA (premier)

 

The Event (2016-18)

Dancer and movement collaborator

Photo Joseph Lambert
Performances:
Base, Seattle WA (premier)
Base, Seattle WA

 

Welcome Me (2017)

Dancer and movement collaborator

Photo Joseph Lambert
Performances:
Base Occasional, Seattle WA

projects: Tamin Tia

Tamin Totzke + Tia Kramer 

 

Both projects fall under the title Study Of Time And Motion

Connect/reposition (2015)

Dancer and movement collaborator
Performances: 
Georgetown Steam Plant, Seattle WA 

City Arts Feature

Trailor

 

 

 

Rest/Forward (2015)

Dancer and movement collaborator
The Estuary/T108 Park, Seattle WA
Trailor

Photo Michelle Smith-lewis

Photo Bruce Claton Tom

projects: HYPERNOVA

HYPERNOVA (Rainbow Fletcher) 

 

Long time friend and collaborator, I have performed for Rainbow in many different forms since 2005.

 

Eleven Eleven (2018)

Dancer and movement collaborator

 

Performances: 
Northwest New Works Festival, On the Boards, Seattle WA (premier)

 

Bitter Suites (2016-18)

Dancer and movement collaborator

Performances:
YAW Theater, Seattle WA  (premier)
Velocity Dance Center, Seattle WA
Velocity Dance Center, Seattle WA

 

ONTHEFLOOR (2014-15)

Dancer and movement collaborator

Performances:

Velocity Dance Center, Seattle WA (premier)