Collaboration between myself and No Touching Ground. This poster reads WE ARE ONLY AS HEALTHY AS THE MOST VULNERABLE AMONG US. With this imagery we are saying, we as a society must recognise the form that addiction takes around us, we can not dismiss the epidemic of over prescribed opioids in America. At the same time, we must lift up those most vulnerable, support these humans, give them the dignity of not only a safe place to come to terms with this addiction, but the resources and support to find a new path. Safe Injection sites are the first step towards a better path.
Mural location acquired through Wall Spots Barcelona. I love when given the opportunity to paint without any needed draft of the proposed work. I am in my most happy place when I get to freehand paint, choosing shape and color as informed by the location and atmosphere. This work took all of one day, and was painted with acrylic paint. The image created is a recurring character named the bald man, I have continued to paint this character since 2001. I explore through this character the idea of how my creativity changes over time with one fixed point. Acrylic paint, dimensions 22’x10′.
Collaboration between myself and No Touching Ground. Seattle has an ongoing affordable rent crisis. New development continues to displace the most vulnerable among us. Without being too politically pointed, we felt this image of a birdhouse with the words FREE RENT painted on the side, communicated that humans, being truly nothing more than animals, deserve shelter.
No Touching Ground and I teamed up to create this large poster for Seattle mayoral candidate Nikitta Oliver. We worked together to create the overall design, chose the intended location, and hand painted both the portrait and font. Zorn B Taylor generously allowed the use of his photograph as reference for the portrait. It felt really good to look back at my path as a street/graffiti artist and see all the steps that lead to creating a work like this. In a lot of ways this is what I would love to do more of in the future. I feel graffiti artists have a unique perspective when it comes to, among other things, location and placement, very relevant attributes when dealing with messages that need a high level of visibility. I’m proud to support progressive candidates for office locally and nationally.
Three dimensional cardboard letters, painted with acrylic paint. Humanity is shown left out in the rain to be reclaimed by nature or possibly a timely passerby.
(2016) Commissioned public art mural, Neighborhood of Ibn Batouta, Tangier Morocco.
Mural commissioned as a gift to the neighborhood community of Ibn Batouta. Painted with amazingly brilliant acrylic paint, I wanted to bring this paint back home. One coat light or dark would cover any other color. While painting here we experienced such completely generous, warm and welcoming people. Memories and friends were made, we can’t say thank you enough and hope to get back there again soon.
I had recently been in the Bay Area performing and was struck by the tiny movable homes taking up no more than a parking space, I saw lining the streets in West Oakland. Upon learning I had been awarded this residency, I felt compelled to explore these movable tiny houses for myself, as I had not seen anything of this sort in the Northwest despite rampant homlessness.
Using salvaged wood in tandem with other recycled/donated resources, I created a portable living space. By painting the exterior of the structure I aimed to make this home command the attention of those who would rather choose to ignore the state of homelessness and displacement in our area. The home acts as a billboard, stating in the most matter of fact way the basic necessity of having a roof over one’s head. Voicing through words the needed legislative action of RENT CONTROL to help create sensible affordable homes for those in need.
I can’t help but notice the increase in the past ten years of people living on the streets in Seattle, especially in the last three years. Can this temporary home be a sense of pride for the inhabitant? Could this action open the eyes of developers?
(2015) Commissioned public art mural. Urban Artworks, Seattle WA
Commissioned by Urban Artworks, this mural was meant to both amplify the business located in this building, also this mural aimed to create a bright colorful addition to the neighborhood, of which the nearby SoDo track is one of the largest public mural corridors in the country. Length is 128’x 20′ at the highest point.
Commissioned by Art of the City street festival, I painted this 12’ by 8’ mural in one day out in the sun. I was one of a collection of other muralists who were all commissioned to live paint.
There are a lot of options when it comes to what one could paint. I decided a long time ago that I would rather spend my time honing my abilities as a muralist, then obsess over what I could paint. Most of the time when I paint a mural you will see the Bald Man character, this character is a vehicle for artistic exploration. I do paint and draw many other things. This character is part me/part my impression on the world I live in/walk through.
Pondering the actions of humans, while wandering the streets of a country that has in the not so distant past, used the activism of public art as a means to support and spark revolution. Poster reads “Man’s Inhumanity to Man”.