(2011) Performance. Commissioned by the Live At The Film Forum series. Seattle WA
Directed and developed by Actually Really (Ezra Dickinson and Paurl Walsh)
Sound by Paurl Walsh
Video by Douglas Arney
Choreography/performance by Ezra Dickinson
Please Don’t Touch The Ballerina by Actually Really was the first stage in experimentation using motion sensors attached to the performer generating and modulating the sound for the performance in real time. The idea that we are playing with is filming a dancer improvising while having the motion sensors attached, capturing both movement and sound. Next the composer takes the footage of the dancer improvising and generating sound, and composes the sound by reorganizing the dancer’s movements. In the final stage the dancer learns the new composition by way of the reorganized and composed video footage. In this process we take the composer and turn him in to the choreographer, and take the choreographer and turn him in to the composer.
This work’s foundation is built on cycles. Each of the three main components has a repeated pattern built on the frame of a forty-eight minute performance. Actually Really is a collaboration formed by Paurl Walsh and Ezra Dickinson to explore new technology in performance and sound.
Please don’t touch the ballerina Press Review:
Seattle Times: Dance and wireless technology combine
