Artwork

Allegro (2022)

 

(2022) Allegro Poster, mural

 

Poster painted for a college friend’s dance school. When wild things happen and someone drives their car through the front of your dance school, on the fly signage must be created to let folks know you’re still open and operational during the repair/remodel. This poster’s overall length was 27’ wide, painted with acrylic paint on paper. My aim here was to have the dropshadow lay in a different direction for each letter. If you would like to commission a poster for any reason reach out to Ezra at: ezramdickinson@gmail.com

 

Button Blanket (2022)

 

(2022) Button Blanket, sewn regalia

In 2020 along with the naming ceremony of Kaaseiyi I was formally adopted by the Killer Whale house of the Tlingit tribe. I was given the name of Yaanax loosely meaning, meticulous with space. I was adopted by one of my oldest friends Nahaan, someone who I have called my brother for years. The adoption in retrospect makes sense, but at the time came as quite a surprise to me. These are photos showing work on my button blanket, regalia used for celebrations, ceremonies and dancing. This killer whale design was gifted to me by Nahaan. As time goes by I will decorate this blanket with buttons, and beads.

No Human is Illegal (2022)

 

(2022) No Human Is Illegal Poster

 

My response in poster form to the constant attacks from republican politicians against innocent humans fleaing genocide, political turmoil, and climate catastrophe. Arbitrary lines drawn on the earth are nothing, borders are fake and only used to hurt those with little or no power. The future does not have borders, we live on earth. We must care for all humans, especially those facing hardship. Posters painted with acrylic paint on paper, four sections, two at 2’x3’, and two at 7’x3’. As always if you would like to commission a poster, reach out to Ezra at: ezramdickinson@gmail.com

 

  

Black Crane (2022)

 

(2022) Black Crane Treehouse

One of my main projects at the start of 2022 was helping the Rockland crew build the Black Crane Treehouse. I joined the build just after the subfloor had been established, staying on the build until July, just as final touches were being worked out on the interior finish. This was my second build where I got to take part in the construction from the framing and raising of the walls onward. Since 2018 I have been giving a portion of my time to learning building protocol, permitting, and inspections. This treehouse really brought together all the elements of the build, this is knowledge that I can apply in so many ways as life presents all sorts of building opportunities in the future. Check out Rockland Woods for more info about the artist residencies held twice yearly. Here is a selection of photos following the build process from start to finish.

           

State of emergence (2021) film

(2021) film 

STATE OF EMERGENCE VIDEO
This is a short film created by Austin Wilson, produced with Overall Creative during the summer of 2020. Features John Richards, Kathleen Warren and the creation of murals by Barry Johnson and Ezra Dickinson. It is a look at the thoughts and messages behind the works, during the summer when everything was boarded up and artists began to paint in the streets.
Additionally works shown by Amaris O. Hamer, Vivid Matter Collective, Paulina Cholewinski, Crystal Barbre, Casey Weldon, Zach Rockstad, Anne Siems, Baso Fibonacci, Zach Takasawa, Robert Tardiff, Connor McPherson, Evann Strathern, Billie Avery. Music by the Polyrhythmics.

 

 

Photos Austin Wilson

AMONG US (2021)

(2021) poster

 

Poster painted and placed in Seattle. This work is 14’x7’. This location has been at the center of the recent ongoing protests/marches in response to the police murder of George Floyd. 

 

During the spring and summer of 2020, protesters held an occupation of the area around the police precinct/neighborhood. The local police precinct is directly across the street. The first poster $TATE OF EMERGENCY was speaking to the crisis declared in Washington state in regards to homlessness. This new poster is speaking to the need for safe and humain sites for individuals dealing with addiction, under the supervision of care workers offering support and resources to help folks find a new path towards an addiction-free life. In a broader sense both of these posters speak to the current state of humanity as we deal with the covid pandemic. 
In the constant rush of the everyday world, we may overlook the hardship that we as a society have endured not just for the last two years but more so as a way of life. The expectation that the act of living, keeping a roof over your head, feeding yourself, healthcare, education, all are things we must work to have. If you don’t want to, or for one reason or another you can’t, what are your options? How do we care for one another? How do we take care of our own mental health? I’m constantly asking myself these questions.

 

Kaaseiyi (2021)

(2021) woodwork canoe

 

This canoe is named Kaaseiyi, meaning voice of man. The canoe is named after Nahaan’s father Roger Alexander. Roger was Kaigani Haida, from double headed eagle, frog, beaver clan. From Hydaburg AK. Traditionally in native culture mostly men build canoes, and traditionally in western culture boats are given the gender of female. With Kaaseiyi, Nahaan intentionally separates this act of love and remembrance from western practise and expectations, and firmly sets this gift as a gift of not only memory but of tradition and cultural responsibility. A vessel for learning and growing family, through songs, protocol, and leadership.

 

I was asked by Nahaan if I could help build Kaaseiyi after the cedar strips had been formed and set into their place to make the dugout canoe shape. We began by prepping for delivery to the fiberglasser. After fiberglass had been applied both inside and out, we sanded it down to a smooth state. We landed at our first generous work space offering at the Museum of Museums (MoM) in Seattle. While at MoM, we cut the rough shapes for the in and out wales, and the bow and stern top pieces. We steam bent the in and out wales and attached them. Then it was time to move to our next generous work space offering provided by Vermillion Art Gallery also in Seattle. While at Vermillion, we steam bent the rails that sit on top of the in and out wales, steam bent and attached the risers that the seats rest on, and we cut and fitted four seats. At this point we began to clean, shape and refine the overall body. 

 

Each work session would start with sage, and at the end of the work day, songs would be sung to Kaaseiyi. Our last step was painting, starting with primer, sanding, primer, sanding, and probably a little more primer once the surface was as smooth as we thought we could get it. Then we started adding color, and delineating shapes. The shape that the black makes on the outside is referencing the belly of the killer whale. Many more coats of marine grade paint, a little wax, and we were ready to have a naming ceremony and launch. 

 

On a perfectly beautiful overcast rainy Sunday afternoon at Golden Gardens, we formally named the canoe Kaaseiyi. A representative from the Duwamish Tribe attended and gave us permission to launch, have a safe journey, and come back again soon. We loaded up seven deep, and pushed off into the water, watching as the small crowd of attendees sang us songs and danced on the beach. The sea lions and eagles were circling and watching us as we pulled our way around the buoy and back to the beach.
 
What a gift to help my best friend build this boat, we both built this with no prior experience in building a canoe. We could not have done this without the guidance of master canoe builders, Wayne Price, Beau Wagner, Dale Bekkela, Joe Martin, Al Charles, and Stormy Hamar from up the coast to Canada and AK. The reverence for the craft of building a vessel that holds human life in the water is a profound learning lesson. I’m thankful to have been given the chance to share in this truly amazing process.

NAMING CEREMONY

 

After the completion of building Kaaseiyi, a few months later we began the formline design covering the outside of Kaaseiyi. First Nahaan sketched out the design on the left side, then I copied the design to the right side. Then we spent time redrawing and refining the formline design. Helping hands started to add the colors, three coats of paint later Kaaseiyi had his decoration.

 

Daphne’s Quilt (2020)

(2020) baby quilt

 

I had already created a wedding quilt for Rainbow and Kris, it seemed only fitting to create a baby quilt for their new born child Daphne. For this asymmetrical quilt, I used Daphne’s namesake flower as source material. This seven color quilt was built piece by piece, then temporarily affixed with fabric adhesive before being sewn down. Approximate dimensions are 4’x4’.

 

YOU ARE NOT ALONE (2020)

(2020) Commissioned public art mural. Life on Mars, Seattle WA. 

 

This mural was organized by Overall Creative, who sourced five muralists that worked to paint one of four walls on the facade of record store and eatery, Life on Mars. This work was a response to both the smashing of Life on Mars’ window and a public service message of support during the covid crisis. Part owner of Life on Mars/KEXP DJ John Richards spoke the words “you are not alone” while broadcasting during Covid-19. Photography by Austin Wilson.

 

This mural was also featured in Viral Murals. Published by Chatwin Books, 2020.

Stories (2020-present)

Stories from the Streets or Being Seen (working titles) (2020-present)

 

This is the seed project for what will become a much larger, interactive, citywide performance experience. To begin, I have been awarded funding from 4Culture to collect interviews from people living on the street experiencing homelessness. My aim is to find individuals who would like to talk with me about their experience living on the street. I have found myself gravitating to these folks for two reasons: 1) My mother lived on the street for a period of time after I began living on my own, and before she ultimately was committed to Western State hospital; and 2) I can’t help but see a clear correlation between out of control rental prices and the rapid increase in the homeless population in the northwest.

 

 

Through this funding I will compensate the individuals interviewed. I want to collect these interviews and geo tag the locations where the interviewees are living. In Seattle currently the people living on the street are routinely dislocated or swept from their established homes on the street, a practise that is both inhumane and, given that we are still in the grips of a worldwide pandemic, is all the more absurd an action to be taken against an already extremely vulnerable population. 
Once I have collected as many interviews as funding will allow for, I will create a website which houses all of these stories and cross references each one with a QR code that will be placed at the location of past residence for each individual I interview. This will create both a visual link to the inhabitants that occupied these street homes–prior to being displaced yet again–and determine a walking tour through Seattle that someone could follow to see these stories activated from one QR code to the next.
This first step will lay the groundwork for the larger piece. I will endeavor to fill in the path that is created from these stories with installation, both site specific and gallery. There will be sound that will accompany the viewer through this journey. There will be pre recorded performance that lives as a sort of ghost along this path. All this will come together to create a walking tour that can be entered at any point, at any time.