$tate of Emergency (2019)

(2019) Visual art poster exhibition, The BLDG, Seattle WA.

 

Painted with funding from 4culture Art Projects, this was the culmination of a grant I received supporting Rent Control postering. Three large posters (this one measured 14’x7’) were created, two classes/lectures were presented to highschool kids along with one poster making demonstration. A run of rent control T-shirts was also created with this funding.

 

 

Artist Lecture on practice and current projects. University Prep, Seattle WA 

If you would like one of these WE DESERVE RENT CONTROL T-Shirts. Email Ezra at: baldieoner@hotmail.com
Funds from T-Shirt sales go towards Sawhorse Revolution, and printing future messages on T-Shirts.

Abortion is Freedom (2019)

(2019) designed and hand painted poster

 

In anticapation of the LA Women’s March, Shout Your Abortion commissioned No Touching Ground and I to create this large two section poster to be displayed in Pershing Square nearby the start of the march. We designed and hand painted this work to fit perfectly into the media advert display case shown here. It is an unquestionable right that women have access to legal abortions and be able to choose for themselves what’s best for their body. Men and religious beliefs have no place imposing their expectations on any woman’s ability to make a choice.

 

photo NTG

Sweet Rotten Sweet (2019)

(2019) Illustrations, set design, publication

 

While working with Peggy Piachenza on her last performance/installation I created a hand drawn design that was featured in the book Peggy created to document the show. In addition to dancing, I also designed the set, fabricated and installed it as directed by Peggy. This involved building hanging video screen boxes, wall mounted video boxes, wall mounted microphones, printing and prepping and installing two wall to wall floor to ceiling posters one 11’x14’ the other 27’x14’, all the while performing in the month run of the performance component of the shows installation. 

 

Artville Residency (2019)

(2019) Leadville Colorado residency

 

The month of October, high in the mountains, served as a time for allowing space. My time was spent walking, seeing mountain tops, movement researching/choreographing, environment sketches, mural painting, all while living with dear friends.

 

 

I was able to create the movement framework used for the choreographic commission at North Star Ballet in Fairbanks Alaska following my residency. My environment sketches serve as a personal photograph for my eyes, a drawn memory of any location that captures my attention.

 

 

My friends like to walk. While at Artville I was invited to go for a three-day walk along a section of the Continental Divide Trail. I have for quite a long time fantasized about long distance walking. This served as a beautiful introduction to this revealing and healing path.

 

 

I visited the peaks of five mountain tops over 14,000 feet while at Artville. I have a long standing practice of planting a handstand at the top of high points. I aim to try and pretend that while in the handstand, I’m actually rightside up and holding up the mountain and world in my hands. As a student of my own body, I love the reality of walking up a steep mountain, the physical strength and stamina needed to listen to and work through rapid altitude shifts is humbling to say the least.

 

XEIGAA LATSEEN (2019)

(2019) poster collaboration

 

Created with my best friend Nahaan. This poster speaks to the sad reality that indigenous women continue to be murdered and go missing. Inadequately investigated, this heartbreaking reality pulls at the backbone of culture and strength in native families, communities, and ceremonies. The words XEIGAA LATSEEN in Tlingit  translate to “TRUE POWER”, true power and wealth come from strong women.

 

Ol’Burgdishy (2018)

(2018) Commissioned public art mural, Seattle Center Sculpture Walk, Seattle WA.

 

For this mural I received a public art grant from the Office of Arts and Culture and Seattle Center Art Interruptions. Initially I wanted to work with a rain activated clear coating that would break down over the course of four months to a year and is biodegradable in the Seattle center fountain. I could not get clearance for the location, which kicked off a lengthy back and forth regarding what location could be used. Ultimately, we settled on the steps of the Key Arena and I got to work on a draft. The final design took into consideration the shape of space and how color would cascade down and direct the eye of the observer while traveling over the massive work. I painted the whole mural using rollers over the course of two days with the help of Taylor and Natan.

 

 

Natural Movement (2018)

(2018) New Mystics public installation located in Seattle’s Pioneer Square’s Nord alley.

 

Eight individually designed disks replaced the worn and in some cases damaged disks that have weathered summer and winter in the northwest for the last four years. Disk reads “THE BALD MAN IS WATCHING YOU”. Adhesive vinyl and acrylic paint, dimension 25” circle.

 

BASIC HUMAN NEEDS (2018)

(2018) Visual art poster, Seattle WA

 

In an effort to voice what to some might be viewed as overly idealistic. One must press ahead and put actions, thoughts and intentions into public space that support what we all understand as goals that can not be forgotten, let alone actually brought into reality for the survival and betterment of all humanity.

 

Daniel Covarrubias (2018)

(2018) designed and hand painted poster

 

The family of Daniel gave their blessings for No Touching Ground and I to create this portrait. De Escalate Washington acted as an intermediary between us and the family as we worked to create this memorial. NTG painted the portrait and I the text. Daniel, the proud father of seven, had been dealing with mental health issues and drug use before being murdered by Tacoma police. Daniel was unarmed when police shot him. This is another example of police killing a person experiencing mental distress. Death could have been avoided if a properly experienced social health response team could have responded instead of unprepared police. No officers have been charged in the murder of Daniel.

 

Photo NTG

Charleena Lyles (2018)

(2018) designed and hand painted poster

 

With the blessings of the family, and working with De Escalate Washington, No Touching Ground and I painted this portrait of Charleena Lyles. NTG painted the portrait and I the text. Charleena was murdered by Seattle police officers during a call made by Charleena regarding a burglary in her home. Although Charleena had dealt with mental instability there is no excuse for this loss of life. Police responses with death and excessive force to routine calls happen far too often. Defund the police and divert those funds to humain social/community based services that are better equipped to respond to the needs of vulnerable communities.

 

Photo NTG