Sal Bald (2015)

(2015) Mural painted as a memorial. Seattle WA

 

Mural painted as a memorial remembering time, effort, and thought, in a shared rehearsal space that had been in effect for over ten years. Drifting between streets and vacant lots, not far in our past is the ghost of a rainforest lush with wet green vegetation. Sometimes it works out who ends up with the last set of keys to get into a building slated for demolition. To bring this mural to life a hundred gallons of paint were delivered to the space, then over the course of a month the entire space roughly 40.000 square foot was painted (floors and walls). The walls are painted with 20 foot tall letters reading, MAN’S INHUMANITY TO MAN. Oddly enough to this day the building still has not been demolished, for reasons unknown.

 

City Unseen City Arts Feature May 2015

 

Art of the city (2015)

(2015) commissioned live painted mural

 

Commissioned by Art of the City street festival, I painted this 12’ by 8’ mural in one day out in the sun. I was one of a collection of other muralists who were all commissioned to live paint. 

 

 

There are a lot of options when it comes to what one could paint. I decided a long time ago that I would rather spend my time honing my abilities as a muralist, then obsess over what I could paint. Most of the time when I paint a mural you will see the Bald Man character, this character is a vehicle for artistic exploration. I do paint and draw many other things. This character is part me/part my impression on the world I live in/walk through.

 

Caldera poster (2015)

(2015) painted poster

 

While in a choreographic residence with Tahni Holt at Caldera in the south eastern mountains of Oregon for a month, I decided that the stunning landscape I had found myself in, compelled me to paint in my down time and I created this fifteen by seven foot painted poster. The text that fills this work is taken from a nineteenth century elementary school primer that I found in the library at Caldera. I was struck by the writing in this primer as it was confronting the child who has grown up in the city and assumed that this child would have virtually no understanding of nature or farm creatures and a more rural life experience. Taking inspiration from a poster I created while in Lisbon Portugal which also used text to create the entire design. This work is yet to find a permanent home to this day. When the right location shows itself, I will add this work to the world.

 

Capitol Hill Web Series (2015)

(2015) acted and created set paintings.

 

Invited by Wes Hurley to contribute to his film creations. I both painted set pieces, and had a spot appearance acting as a thief for this filmed series.

Episode 1

 

Mid paste (2015)

(2015) Visual art poster Lisbon.

 

Pondering the actions of humans, while wandering the streets of a country that has in the not so distant past, used the activism of public art as a means to support and spark revolution. Poster reads “Man’s Inhumanity to Man”.

 

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Photo NTG

Forgotten Arch (2015)

(2015) Visual art poster. Lisbon.

 

Always looking to blend or camouflage work into its surroundings. This approach might buy the work a little more time on the street, or it may not. The reality of not only street art being ephemeral but everything slowly crumbling before our eyes is a beautiful thing to observe.

 

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Rainbow and Kris’ Quilt (2013)

(2013) wedding quilt

 

Initially I was asked to create a backdrop for wedding attendees to use for taking photographs. I couldn’t just make something that was going to only have one use, so the backdrop turned into a wedding quilt gift complete with a portrait of the bride and groom. This was my second quilt of the year, but by far the most complicated sewing project I have ever undertaken. The size is 10’x7’ and is built from eleven different colors cut and stitched down piece by piece.

 

USA Flag/pool (2013)

(2013) spray paint set piece 

 

Commissioned by Spectrum Dance Theatre and Donald Byrd for his work A CRUEL NEW WORLD/the new normal. I had never drawn or painted the American flag before this and probably never will after. I was happy that when I did find myself creating this set piece, it was to help represent America in performance for what it is, a land known for taking advantage of the less fortunate. I greatly respect Donald for his activism through dance and performance, it was a privilege to create this work for him.

 

Yes (2013) film

(2013) film collaboration with musician

 

I have collected hundreds of short stop motion animations since I started exploring stop motion in 2005. My aim was first to explore movement, environment, light, texture and eventually sound. This is the first, in a way culmination of these experiments. I met Rulon Brown and asked him if he would be interested in composing a little score for this short animation. I love this short animation, there are no expectations, just a moment of creativity, alive with ambiguous meaning. If you are a creator of sounds and would like to create a score for one of these animations, I have a whole basket of works yet to be paired with sounds. Send me an email: baldmanwatching@yahoo.com and let’s get this collaboration happening.

 

Velocity Bald (2012)

(2012) Mural, Velocity’s Fall Kick-Off, Velocity Dance Center, Seattle WA.

 

Mural painted live as part of Velocity’s Fall Kick-Off. This mural lines the walls of the entryway into Velocity when attending a performance. Designed and painted on the spot, this mural took about eight hours to paint. 

 

 

In 2018 repairs and slight changes were added as Velocity was refurbishing their performance space.